Concert review – Rush, LG Arena, Birmingham NEC

Monday 23rd May 2011, 3:03AM BST.

Rush, LG Arena, Birmingham NEC

Rush
LG Arena, Birmingham
Concert review and photos by Ian Harvey

A dictionary description of the word “progressive” is “engaging in or constituting forward motion” . . . which if you shorten it to its bare minimum results in one word – Rush.

Progressive, in rock terms, signifies a band which is prepared to adapt, change and experiment. If ever there was a group that exemplifies that, it’s that same word again – Rush.

Click on the image to the right for our concert photo gallery

Bear in mind that this is a band where fans “sing” along to the instrumentals and don’t just play air guitar . . . they play air drums in homage to “the professor on the drum kit” Neil Peart (hats off, in particular, to one fan, apparently dressed in a butcher’s apron, who air-drummed to the entire three-hour-plus show).

The Canadian three-piece powerhouse beamed down for their Time Machine tour in a performance which stretched from their 1974 debut to their yet-to-be released 19th studio album Clockwork Angels.

Bassist and singer Geddy Lee, guitarist Alex Lifeson and drummer Peart showed they are more than willing to reinvent themselves, imagining a parallel universe where The Spirit Of Radio is a disco floor-filler (boy did that work . . . please release it!) and Working Man is transformed from a blue collar rocker to a ganja-tinged reggae workout.

With hi-def screens, flames and fireworks, a spider-like lighting gantry with a life of its own and a bizarre stage set that represented a steam punk Victorian take on time travel, this was the very definition of an arena show.

To celebrate the 30th anniversary of their biggest-selling album, Moving Pictures, they played the whole of it, in order, to rapturous applause, particularly the ever-popular Tom Sawyer, YYZ and the rarely if ever played The Camera Eye.

The show was not without its downbeats though. Moving Pictures ends with what was the weakest track of the night, Vital Signs, a song which normally wouldn’t have passed muster when choosing the set-list. La Villa Strangiato, another of those singalong instrumentals, was initially played far too fast (that word “Rush” again).

The aforementioned reggae take of Working Man overstayed its welcome by quite some margin before crashing into the familiar rocker from 37 years ago and the continued insistence on reducing their 20-minute sci-fi masterpiece 2112 to a “mere” seven minutes remains frustrating for many.

However, if being progressive means being willing to experiment and take a risk then the “new” version of Closer To The Heart was a triumph, its opening transformed on 12-string acoustic guitar and with a diversion about two thirds of the way through, which at first confounded and then delighted.

The night ended with virtually the entire audience staying behind to watch a skit on the big screen featuring two fans (actually Canadian comedians) apparently gatecrashing Rush’s dressing room.

Presumably by then, Rush, like Elvis, had left the building.

Disclaimer: In all fairness it needs to be pointed out that the reviewer has worshipped Rush since 1977 and intends to do so to 2112 and beyond. He hopes though that this has been a fair and honest assessment.

Setlist:
The Spirit of Radio
Time Stand Still
Presto
Stick It Out
Workin’ Them Angels
Leave That Thing Alone
Faithless
BU2B
Free Will
Marathon
Subdivisions

(interval)

Tom Sawyer
Red Barchetta
YYZ
Limelight
The Camera Eye
Witch Hunt
Vital Signs
Caravan
Closer To The Heart
2112 Overture
Far Cry
La Villa Strangiato
Working Man

Music photography by Ian Harvey / RocktasticPix


  1. 1
    Racehunter

    Well, I came, I saw and I went (home) afterwards and reflected on what was for me an average gig. It started poorly, with Geddy, somehow just not delivering. His vocals wavered as if not properly warmed up, but in fairness, improved as the show went on. That said, he still strangled some of the higher notes later in the evening, making me ask, if it was time to limit his attempted range.

    I will admit to not being a Rush ‘fanatic’, that is to say, whilst I enjoy a number of tracks from across the years, I do not own an album or T-shirt! I do however enjoy great and varied music and have seen many bands at many venues, from U2 in Cardiff through Sabbath at the old New Street Odeon to Steve Hackett at Leamington Assembly Rooms. Looking back at some of these reinforced my view that this gig was lacking and unless you where a die hard fan, who followed every syllable and stretched guitar note, just did not deliver.

    The aforementioned articulated lighting gantry seemed to be an add-on and a little disjointed while the single screen behind the band displayed some very strange animations that would have Terry Gilliam pulling his hair out (if he had much left)

    and as for the spoof VT at the end, well……

    My view I know but I was disappointed in the experience.

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    • mitch evans

      well ,im gobsmacked with these reports to be honest.setlist was tremendous,lighting show was amazing and,considering these guys have been on the ball for close on 40 years i think we can forgive geddys voice not being perfect ,i suppose we should ask him to mime on the next tour so as not to spoil anyones enjoyment.with rush you know what to expect,and they deliver every time without fail.One bloke says that he is destined never to hear xanadu live,well i seggest you dont leave early because rush played xanadu on the r30 tour ,i saw them four times on that tour and guess what,they played it every night.I may be a little biased i suppose but i cant see what there was to complain about,i went to sheffield on monday last week,the crowd was awful but the show was as good.Maybe its just me……..

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  2. 2
    Atari 800

    After seeing Rush in Sheffield a couple of years ago I was expecting more than they delivered last night.
    I don’t know if it was constraints of the venue, but they were missing 2 big screens and a laser show compared to Sheffield.
    The sound at the venue was pretty awful too, although it was slightly better in the second half when the sound rig was raised.
    Certainly not the totally immersive experience that I was expecting
    :(

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  3. 3
    Harvey

    I enjoyed the show as I hadn’t seen Rush since 84… Geddy’s voice has changed, not for the better really and the Fender basses he now plays just don’t cut it like the Rickenbackers used to….

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    • Doug

      Sadly I have to agree – considering they have tried to move away from technology (synths etc)the use of it was over-bearing and several times the band/Neal seemed to wander of the “click track”

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  4. 4
    Dave

    Hi everyone,

    Summing up this show is actually very difficult, as I have VERY mixed feelings about it. First of all, I thought the playing was EXCEPTIONAL. The tour last year in the US must have helped, as they seemed to be tighter than ever. I’m also glad that Neil is playing at normal speed now, as on the Snakes and Arrows DVD, you can tell the song tempos were ever so slightly slower.

    Here comes my slight gripe with the show unfortunately, the setlist. For me who loves the era of the late 70s and early 80s this show was so far off the mark from my “dream” setlist. I don’t mind the other eras, but the 90s stuff they were playing to me sounded very much to me like the same song. This isn’t to say I don’t like the 90s stuff, far from it, I have a number of favourites such as Dreamline, Bravado, Show Don’t Tell, Test for Echo etc. I just felt that perhaps they should have played the more well known songs rather than the album tracks. I think the crowd felt similar too, as there was a big roar when Freewill came on.

    The second half was better, but again, because of the entire Moving Pictures album, it didn’t leave a lot of room for other early stuff. I’m a BIG fan of the Hemispheres album, so I think one of the biggest highlights for me was hearing “La Villa Strangiato” live. I never tire of hearing that song, only Rush could make a 10 minute instrumental enjoyable the whole way through!!! Other favourites included 2112 (never get tired of that!!), and I got to say side 2 of Moving Pictures sounds better live (The Camera Eye – Vital Signs). I’ve been overly impressed with those songs, but they definitely had more life to them.

    I can’t believe that there was no Xanadu again!!!! Last night was my third time seeing the guys (R30 & Snakes and Arrows the previous times), and they didn’t play it on those tours either!!!! Seems I’m never destined to hear that song live!!! Oh well, maybe next time??

    The video intros were really funny, especially the first one of the evening with Alex in the fat suit!!!! It was really funny Rush at their best, I always look forward to their video intros. That’s why I love them so much, they can take the p out of each other, not a lot of bands do that.

    So to sum up then, it was an amazing night, but if the setlist had been different in the first half, then it would have been an absolutely brilliant night.

    This review is purely my thoughts, please don’t belittle them, we’re all entitled to our “Freewill”, but of course “everyone can make a choice”!!

    Thanks
    Dave

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  5. 5
    Tom sawyer

    Now having not seen Rush since 1984 i went to the gig knowing what i was going to get, lets be honest here Rush are a mans band the music and the musicanship are top class they are a fans band fullstop! 18 albums do tell a story very successfull without really selling out like other bands tend to do . The set was well balanced, you cannot ignore the groups 90s output,in my view greatest hit tours very rarely work. highlights for me were The Camera Eye,Marathon were the highlight for me personally, the sound was good too new stuff sounds good the lighting was exceptional, the group have a sense of humour, i will be buying the new rush album

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  6. 6
    adam

    Fantastic show. Musicianship was second to none, stage set was impressive, and I actually thought Geddy Lee’s voice was in fine shape. As to the set list – it was a great mix of old and new. Given they have almost 40 years worth of material…some favourites have to get left out…even when playing for 3 hours. If I have a slight complaint it would be the sound..the mix was OK, but as someone else pointed out it wasnt an ‘all round’ audio experience. Having said that I never think the NEC is good for sound and I was in the rafters which never helps.

    First time I have seen them in 25 years…they have improved with age.

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  7. 7
    Mike2112

    Musicianship totally awesome. Lets not worry about the lighting gantry. Rush have been playing for years and are in their fifties.I know Geddys vocals aren’t the same but they are happy with their sound and how well they play.

    The whole point of being a Rush fan is celebration of unbelievable musical ability and that they can play live like no other bands can. When Rush have lost that ability there will no longer be any true fanatics… there will only be memories of nights like last night.

    Things are never the same. We all have different perspectives but I know what I saw and heard. I wan’t disappointed and I will keep going to see Rush until then…

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  8. 8
    Cragratbob

    Why did you miserable blighters bother?
    I wish I had been at the Birmingham gig, but my coffers only ran to Sheffield and Newcastle gigs (& I’ve seen a few NEC Rush gigs in my time), but I could’ve taken a seat from one of you killjoys!
    Did you notice anyone else there? I imagine they were enjoying themselves and ignoring you cheery few!

    The gigs in Sheffield and Newcastle were both stupendous! I’ve been watching Rush gigs since the Tour of the Hemispheres hit Birmingham Odeon (May 10th 1979!), and yes it’s different to the old days…. my own favourite ever Rush gig was Bingley Hall at Stafford Fri 21st September 1979, bejeasus the crowd was heaving that night! Enduring the front row crush is an experience denied us at Rush concerts unfortunately these days, but the modern concerts are no less awesome…..just different!

    So Geddy’s voice has changed….big deal, he was never Freddie Mercury in the first place, but he still reproduces those songs on stage night after night…..I’m envious! and while he’s at it, he’s the best bassist in miles, plays some keyboards, holds everything together with foot pedals, and has time to connect with the crowd…. what’s not to love!
    Neil remains the drummer’s drummer, because he’s the best… ask the Foo Fighters!
    Personally I think Alex Lifeson is the real hero of Rush, Jimmy Page is a guitar god, on the back of a handful of albums recorded over 11years….Alex has made twice as many, played loads more gigs, and still cuts the mustard every night. The way that man soloed during Working Man at Sheffield…..unbelievable! (Don’t get me wrong Jimmy is a guitar god….so’s Alex!)

    For a warts and all review I’ll admit that the drum solo is highly technical but less entertaining than usual, and the set pace does drop in a couple of places…. but you’ll not hear me complaining. These guys are almost pensioners…. and they rock harder, and longer than anyone else. If they want to fix the set-list so it’s the same every night then I too am disappointed…but to give such a high-level polished performance every night requires compromises, everyone knows their job in that Rush team….and the outcome is fantastic!

    At Sheffield and at Newcastle Rush delivered magnificent shows, I don’t believe Birmingham was any different, such is their inherent professionalism, those people around you enjoying it….they know I’m right!

    Here’s hoping that the old boys can get the Clockwork Angels tour over here a bit quicker than this time!

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    • Ian Harvey

      Hey Cragratbob, Ian the reviewer/photographer here. Those Birmingham gigs were my first Rush concerts too. And I was lucky enough to catch Neil’s drumstick during 2112 . . . even though I was three rows from the back. Still got it!

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    • zepgen8

      I could not afford this years Rush shows..
      But I saw RUSH AT all THE ODEON( birmingham) shows, Bingley hall shows and NEC 1983../2004.
      They were the best Live band..with exceptions of Zeppelin..
      Hemispheres / A farewell to kings..Now that would be a great show.
      .Just the two albums and I would find the Overly priced ticket fee..
      Saying this I still think they Kick all of the new bands ARSES..
      Bring on the dvd…

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  9. 9
    Dave

    Wow, I have to say I’m a little surprised at some of the reviews here. This is the 6th tour I’ve seen them play on (my first show was the Presto tour) and in my opinion it was probably the best of the bunch for several reasons. Yes it’s true that Geddy’s voice can be a bit hit and miss with the high register these days, but I think that’s to be expected considering his years of service, and that is frankly the only negative point that I can agree with from last night’s superb gig.

    Others have complained about the sound, but from where I was sitting (section 3, 2nd row) the sound was crystal clear (and LOUD). And as a not-very-accomplished bass player and drummer, while someone has complained about Geddy’s Fender not cutting through, I for one was pleased to finally hear some low-end to his bass sound, which has been known to be lacking in past tours. Another HUGE plus was Neil’s solo, as I was elated to finally hear him play an all original piece for a change, as his solo has typically been quite repetitive from tour to tour, with a few new pieces added in or rearranged.

    I’d have to say one of the other highlights for me was hearing them re-work some of their songs, as the article mentioned the reggae-tinged Working Man and the lengthy acoustic intro to Closer To The Heart. As for people being disappointed that a mere 7 minute version of 2112 was played, this is the standard version they ALWAYS play live (part one) and I’d be surprised that anyone would expect otherwise from an already 3 hour long set.

    I guess the set list is always going to be hit and miss with fans, seeing as the band has pretty defined “eras” over their 30+ year career, but having seen them 6 times I really enjoyed the song selection that was chosen, and I thought new life was breathed into the lesser played tracks on Moving Pictures which made them extra enjoyable for me.

    And for the people that didn’t enjoy the “outro”, perhaps you need to watch the film I Love You, Man (2009) to “get it”.

    Overall I truly believe it was the best Rush performance I have ever seen, so I’m sorry to hear others did not enjoy the same experience I did. From what I’ve read in other articles regarding last night’s performance it would seem the LG Arena must be hit and miss with respect to sound, so I guess I lucked out with my positioning. A truly awesome gig that I think will be hard to top (but I’ll make sure I’m there to see them try).

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    • Ian Harvey

      The point I was trying to make regarding 2112 is that as “Part One” comes to an end I (and I’m sure I’m not alone” find myself holding my breath and thinking “Go on, go on . . .”!

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      • Dave

        :-)

        I can agree with you there. I seem to recall they DID perform the complete 2112 at some point in the not too distant past (Test For Echo tour, seeing as it appears on the Different Stages Live CD?) but perhaps that one didn’t make it across the pond.

        On the other hand I’m afraid I must disagree with you regarding their interpretation of Working Man. I was actually kind of hoping it would remain in reggae-stylie all the way to the end, mon. Shabba!

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  10. 10
    Marty Moffatt

    I’ve photographed in excess of 300 concerts by a variety of bands, and I’ve attended several thousand other gigs over the years. I’ve seen good shows, great shows and more than a few bad shows. I’ve never seen a bad show by Rush. Last night’s show was no exception. This was about my 20th Rush show (and the second of this tour), and it stands up there among the best, in my opinion.

    Obviously I may be biased here, as I have been unashamedly a huge fan of Rush for well over 30 years. And this was my first time photographing them from the photo pit. And I enjoyed the rest of the show from a prime spot five rows back and centre stage.

    However, for me the show had an almost perfect setlist. A mix of old favourites and brand new stuff, and a few that they rarely get a chance to play live. The omission of songs like Xanadu is Ok with me. I’ve heard that enough times live, and some of the longer progressive songs start to become stale if played too often.

    Highlight for me was Alex’s playing. He took centre stage for large periods and his guitar work was sublime. Geddy’s vocals did sound a little rough at times, particularly in the higher registers, but he has been suffering with a bug. It didn’t detract much from a great overall performance. Neil is the only drummer I’d happily stand and watch for ten minutes rattling through three separate drum solos in one. I did notice a couple of very minor technical hitches during the set, both in the gadgetry and the music, resulting in amused glances between Alex and Neil, but that is what a live show is all about.

    The entertainment value of the sketches, the in-song videos and the lighting (which seemed to be different for every single song) shouldn’t be understated. Rush are a band that set out to entertain the audience on as many levels as possible, and they do so with a beaming smile on their faces. Few bands have to work so hard on stage, due to the complexity of the music, the frequent time changes, and the pedal activated sequences and guitar setups, but at no time did any of them look like they weren’t thoroughly enjoying themselves, and that means something to me as a member of the audience. I’d much rather watch a band of supremely talented musicians achieving almost perfection while having fun on stage (as Rush were last night) than the bunch of angst ridden self important musos looking miserable on stage that often passes for a rock gig.

    I must admit I thought the crowd in Manchester was better – more vocal and more actively dancing and air drumming in the aisles. But I for one, along with everybody I spoke to or overheard on the way out, left the show feeling we’d more than got our money’s worth.

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  11. 11
    Trevor

    Did I go to a different gig to the majority on here? Having seen them on every date of the UK and Ireland tour, the playing last night was on a par with any so far. If anything, the crowd seemed subdued compared to previous nights, but the same couldn’t be said for the band. Anyone who doubts Geddy’s ability to hit the high notes must have been on a comfort break during ‘Freewill’ – some of those notes could have shattered glass! To be honest, if I was designing a Rush setlist, of course it wouldn’t have been exactly what they chose; then again, they played the whole of ‘Moving Pictures’, plus ‘The Spirit of Radio’, ‘Freewill’, ‘Subdivisions’, ‘Closer to the Heart’ and ’2112′. In other words, all of my favourites. If Rush had played a 2 hour show and left out some of the more ‘obscure’ material, would you have been happier? The new stuff (‘BU2B’ and ‘Caravan’) is blinding and it was great to hear ‘Faithless’ (why they omitted that track from the Snakes & Arrows tour when they played practically the whole of that album anyway was beyond me). The sound was great from where I sat (block 16, 3 rows back). Dave (reply no. 4), FYI, Rush DID play ‘Xanadu’ on the R30 tour in 2004 straight after ’2112′ (I know, I was there at all the shows) and it’s on the R30 DVD so you can always catch it on that. In short, having seen every Rush show in the UK since 1988, I can safely say they’re playing better now than at any time. Oh, and while the videos might not mean an awful lot to non-Rush fans (who perhaps don’t understand the little in-jokes, etc), they still make me laugh.

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  12. 12
    Keith Cooper

    Second time seeing Rush in Concert and was as happy this time round as was the first. Geddy looked as if he was 19 years old and could rock for another 30 years and Lifeson proved again that he can fill the guitar needs for both the lead and rhythm for any serious rocker. Never been a Peart fan but enjoyed his solo (had a sit) The only drawback was the use of loud reports twice during the show in which my heart jumped out of my chest and my eardrums nearly exploded..other than that it was a MOST enjoyable evening…I’d do it again TOMORROW!

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  13. 13
    Alan

    Well I have to agree with those that DID enjoy the gig. This was the second time I have seen Rush – the last time being on the Permanent Waves tour at Deeside Leisure Centre back in ’79 or was it ’80? This time I took my own 14 year old son and we both thought it was great! My lad said it was everything he wanted it to be – and he could not stop smiling! Surely that’s what it’s all about. Having seen all the recent live DVDs we knew a little of what to expect (a good sense of humour and great musicianship). All I would say to those that had issues with last night is – lighten up! It’s Rush – enjoy! Can’t wait to see them again in another 30 years…!

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  14. 14
    K

    Fantastic concert, great sound, great talent, great effects. Not a Rush fan at all, went as somebody’s guest but absolutely loved it. Would love to see them again! A man a few rows in front of us air drummed right through, as mentioned in the review… he was very impressive, knew every beat! There was a really warm atmosphere in the arena, these guys have some great fans who truly adore them. Lovely stuff.

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  15. 15
    Tony Moore

    Theres nothing like a few negative comments to wind up the hard-core fan base is there!

    I went along as a fan of live music, in this electronic, download world we live in, and it certainly was just that, live music, with a few glitches along the way, and while I am not one of the sing-along-know-all-of-the-words attendees, my hands certainly felt the effort of extreme clapping. However I do know where some of the posters are coming from, as it was not as polished a performance as I would have expected. I do wonder about the venue as the most suitable. It might be OK for the X-Factor, but acoustically it is not quite there, with some of the base notes losing the edge. That was from my seat in Block D, directly in front of the stage but behind the mixing/lighting and everything else desk. I also agree that the sound improved second half, but still not 100%.

    For me the big question is ‘was it worth £65?’ My answer is ‘almost, but not quite’

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  16. 16
    IR

    I have been a fan of the band since I first heard Exit…Stage Left many moons ago, from that day I was hooked. Never been keen on the mid 90′s period, but that said there have been a number of tracks from the era I like.

    I was at Birmingham last night and the first thing that hit me was how small the stage looked compared to years gone by, the lack of large side screens to give a wider effect on the eye and how off Geddy Lees voice was especially on Time Stand Still.

    He seemed to be fiddling with his monitors during the show so I wondered if he had a problem with what he was hearing, that said I did not really care after all this was Rush, otherwise why would I part with £60 for a ticket, hotel bill, and travel halfway across the country!

    I am certainly liking the new stuff, Far Cry, Workin’ Them Angels, and now BU2B and Caravan seemed to hark back to the good old days, a time I personally prefer.

    If I am honest I could have done without, Presto, Stick It Out, Leave That Thing Alone and Faithless, would have been superb with a bit of Roll The Bones, Xanadu, By Tor, New World Man……..

    As a bit of a traditionalist I can understand why the boys rework certain tracks to provide a different sound, Closer to the heart worked but please NOT Working Man totally biased as my fave track!

    All said and done I enjoyed the night but not quite as much as previously.

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  17. 17
    Colin Frew

    I was at the NEC last night. I had spent months looking forward to the gig. It was, well, how can I say it, just a bit flat. Musically, you can’t fault it. As a spectical, you can’t fault it – I don’t think there are any LED stage lights left in the world! But…but…it just didn’t really work. Yes the vocals were dog rough in places – but what live singer can be pitch perfect every night. The mix was odd – and I was dead centre just infront of the mixer so got the sound the FOH engineer was getting – but it was just a bit off. The atmosphere was missing somehow – can’t really explain what was missing – I just left feeling a little flat. Was I just hoping for too much?

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    • IR

      I agree, the atmosphere was limp in places, there was very little interaction with the crowd this time around, thought they were just going through the motions a bit. Still, I would always go either way!

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  18. 18
    Flip

    Glad I went, there are worse ways to spend a Sunday night, but there were moments in the first half when things dragged and, to be frank, my mind wandered – which was why I jumped nearly as much as much as Neil Peart did when that stage maroon was accidentally fired!

    Would have gladly swapped four or five of the 90s tracks for By-Tor or a full-rendition of 2112.

    The venue sucks – always did and always will.

    Shame the Gerfilter Time Machine couldn’t have taken us back to the glory days of the Birmingham Odeon!

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  19. 19
    Gareth

    Last night was about my 20th time seeing Rush. I have lived in Toronto for the past 27 years and saw most of the shows there.

    I saw the Time Machine tour last summer in Toronto and was not thrilled about it. I am a Rush fanatic and have loved almost every album they have done, Snakes & Arrows bring the least enjoyable! I have seen every tour since Grace Under Pressure in 1984.

    No one can criticize the quality of the music and how well it was played. They were spot on and sounded great. The lighting was good and the other effects added to the experience. I am of two minds on the selection of songs played. Keeping in mind that they played 25 songs, and 15 of them were from Signals or earlier. The choice of the other 10 were my concern!

    The Spirit of Radio got things going bit then Time Stand Still and Presto put everyone in their seats! Everyone stayed there until Freewill and Subdivisions! All of Moving Pictures was excellent and cannot be knocked! The reggae version of Working Man was a waste of time. Working Man could have been replaced with, lets say, Beneath Between & Behind or A Passage to Bangkok would have made everyone feel a little more satisfied!

    Just the opinion of another Rush fanatic!

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  20. 20
    Fuller

    I was there too last night, first time to see Rush since Bingley Hall in 1981 (yes 30 years ago), times before that were Brum Odeon June 1980 and May 1979. I was dissappointed with the sound quality, we were in Block F, I could hardly see the band at all when everyone stood up, just the projection screens behind, just felt the whole night could have been that bit better, just my opinion. Oh, and most of the punters looked the same age as me – 50 ! Oh and also £8.00 to park – where else can you park ! And £4.00 a pint, and £15.00 for a programme, and ….

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  21. 21
    AJ

    For me it was a tale of two halves. The first set started well, then petered out with too many filler songs until Freewill & Subdivisions ended it on a high. The second set was, well just fantastic. That’s what I paid a LOT of money to see, Rush banging out the classics. Not ‘hits’, just classic Rush songs, and I include Far Cry in that category too. It’s not like they have a shortage of them, but time after time they ignore some of their best ever songs in favour of the middle of the road stuff we endured in the first set. But overall, i’m not sure I see the point of two sets, I see the value for money argument but you can’t beat a straight 2 hour show with no room for a beather. The only other downer was the sides of the arena staying seated throughout the gig. What the hell is wrong with people?

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  22. 22
    willow

    If I ever go to a concert expecting pitch perfect vocals and not a musical instrument in sight. It will not be at a Rush concert. If I want to see people dancing around a stage to songs they didn’t write. It will not be at a Rush concert. If I want to see people miming to songs they didn’t write. It will not be at a Rush concert……You get the picture.
    If on the other hand I want to see a group of people that play their respective instruments at the top of their game. If you want to be entertained by thought provoking lyrics and music and a visual show that goes hand in hand with that, then go and see Rush. They are not perfect, none of us are, but what they are is talented show people who put alot of effort into the performance they give. I try and imagine how difficult it must be to keep your focus when you are playing and performing the same songs night after night. I would get bored to tears. But even when they must face that boredom they still perform so much better than so many others.

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  23. 23
    KS

    Seen Rush 7 or 8 times over the years starting off with the ‘Kings tour in ’78 at the Birmingham Odeon. So I’ve seen them grow and grow over the years. Are they my favourite band – yes! Is Alex Lifeson my Number 1 “Guitar God” – yes. Was last night at the NEC absolutely amazing or was it just “another pretty good night” with Rush? Well, I have to say, in my case, it was the latter. I loved the “fat suit”, oompah band sketch at the start, the stage set with it’s HG Wells imagery was excellent but, somehow, the band never hit the spot with me last night. And can’t quite put my finger on why. For me, the first set really did rock – the sound was the best I’ve heard from them at the NEC – I could hear Alex’s vocals for the first time EVER, also Geddy’s bass wasn’t just a wooly thud – could actually hear the notes! Time Stand Still, Working them Angels and Sub-Divisions were superb. But (and I know I’ll be shot out of a cannon for this) the Moving Pictures set felt really flat and a bit tired to me – maybe it was too much to do the whole album because it didn’t seem to match the ‘flow’ of the album. And what was Alex doing playing a Telecaster in Vital Signs – it sounded awful! The rest of set 2 was OK – the highlight definitely being Caravan. Can’t wait for the new album! Oh well – I know the rest of the “Rush Community” will think I’m talking gibberish but maybe, once in a while, even Rush have an “average” night. (P.S. A gripe about the NEC – sorry LG Arena – but when I pay for a SEAT to SEE a band, I don’t expect to have to spend time looking at someone else’s back – “Excuse me, could you sit down please?” “No, — off, where does it say on the ticket that you can’t stand?” As you can imagine, my wife was quite upset at being spoken to like that! And were the stewards interested….? Only in decanting my diet coke into a plastic glass, because I’m going to, like, throw the bottle at the band?? Hey ho.)

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    • BJ

      The Sitting/Standing issue

      I think we may have been a row behind you (Block 15, Rows R/S), or if not witnessed a similar experience, and my wife and I had quite a discussion (we don’t get out alot!) about the issue. In the end my wife talked me around to the fact that RUSH remain a rock band and that this was a concert and not a performance (i.e. ballet, musical, string quartet) and that standing is a very typical audience response and should be expected/tolerated. My sympathies lay on your side of the fence initially (and the guy and his wife/son weren’t easy to warm to!! Was he actually dancing in the Mud “Tiger Feet” stylie of the early 70′s?) but on reflcection I do think she had a point. An “involved” crowd certainly improves the atmosphere and whilst we’re all getting a tad long in the tooth/inhibited for anything too “extreme/extrovet” a little movement, swaying and clapping isn’t too harmful. I certainly would have stood for longer (had my wife not dragged me down!) though would not have wanted to compromise my elevated view of the stage).
      Oh – and didn’t both you and you wife stand from Neil’s solo ovation to the finale?????? Is that a black/cat/kettle (drum) I hear?????? :o)

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  24. 24
    Rob Lindsay

    It was a cracking gig. My 10th rush gig I think? The set-list was great. How a band having been around for 40 odd years is supposed to pick a set-list that pleases everyone is beyond me. This tour was all about Moving Pictures in all its finery so that’s 40 mins, videos say roughly 22 mins, interval was 20 mins so that leaves 90 minutes to play with. Not a great deal of time for 40 odd years worth of material so can’t please everyone.

    The sound definitely improved in the 2nd set. I was block D second row and Alex was massively loud to the point that it did drown out Geds intricate bass work but then again, speaking as a bassist, the Fenders he uses are tonally great for recording and have soul but their live sound leaves a lot to be desired. They aren’t the most technologically advanced basses around but they are easy play and comfortable. I play Warwick basses (the more expensive ones) and they are just plain volumous over the entire 34″ scale. If anything, you have to calm them down and playing a 5-string through-neck thumb bass that weighs a lot and suffers what’s called neck-dive for two hours or more is wearing. Perhaps little wonder Geddy likes Fenders with their light bodies. Alex’s over-loud sound, espeically the first 5 tracks also drowned out neil’s intricate work on hi-hat and ride cymbals. Still, the sound came good in the end. As for Geds voice, I thought he did amazingly well. I really felt for the guy when singing “Freewill” and was wishing the guy on to the highs and was well pleased he came through well. As for not having three screens, well, we have been perhaps a bit spoilt with these over the last two tours but frankly I’m there for the music. Lasers? Oh come on! You’ll be wanting Geds mullet and Alex’s linen jacket next. LED’s? Oh jeez.. Who cares about LED’s? Perhaps they are more eco-friendly I don’t know? Yes, Alex did drop a couple of “bowl-locks” but who doesn’t? I thought he played brilliantly and has really added some great touches of re-working. Neil played real well even if he did mess a couple of movements shall we say, most notably on “Time stand still.” Who cares though? I didn’t. It just brought a small smile to my face that even that guy has a mare! Although, you know Neil wont do the same during the next gig.

    Anyhow, altogther, I thoroughly enjoyed the gig and can’t wait for the next one. The only positive from people complaining is that hopefully I might stand a better chance of getting my favourite seat roughly 15 rows back in block C. I was in block D this time and as I’m getting older, my eyesight is failing me and I don’t like wearing glasses at gigs.

    Rock and roll! Rob.

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  25. 25
    Rob

    I went to see history being made the playing live of Moving Pictures in its entirety were i was sat the sound was excellent clear and powerfull, musicianship second to none Rush are allways good .I have seen David Gilmour at the Royal Albert hall which was recorded live Just to give some indication of the quality of musicians i have witnessed and trust me RUSH certianly cut the mustard highlights for me The Camera Eye played with absolute precision.Another band which i went to see was Muse when they played wembly 2007 and i was bored to tears how they can sellout a stadium is beyond me.Saw U2 In Cardiff millenium Stadium again just average.Simple RUSH are at the top of there game.

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  26. 26
    Jonah

    Reading the review its clear that Rush still, (through no fault of their own by the way) manage to polarise the opinions of their fans on every tour. I think that the only possible way that they could perform a perfect set is if they performed for six hours!!!
    I absolutely loved the show. This was the sixth time I have seen them at the NEC and the sound quality was by far the best I have ever experienced for Rush, or for any other band for that matter, at that venue.
    The musicianship was as good as it has ever been, and Alex Lifesons guitar sound was richer and fuller than it has been for many years.
    Enjoy Rush while you can as they are not getting any younger. I fear that the next tour might be their last.

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  27. 27
    simpTim

    Wow! Another excellent gig from Rush. I’m happy to hear whatever tracks they choose to perform and always happy to see them visit the UK. They did not disappoint. Where do they find the energy from to keep going like they do whilst still enjoying it and remaining so true to their studio sound? Awesome.

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  28. 28
    Simples

    Just a few thoughts on some of this, Geddy was probably a bit rough because he blew the roof off at Newcastle the night before with an absolute stellar vocal performance, Alex was a total Guitar Hero at the Toon and the audience were bouncing along with the band,it was a cracking night at Newcastle and maybe they should have had a day off between the gigs to recharge or perhaps the Brummies need to learn how to bounce.

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  29. 29
    Dave

    What is the matter with people I have seen Rush 6 times and last nights concert was outstanding for God’s sake these guys are nearly 60 and they are getting better with age.You will never please everyone with the set list but I thought it was fine there was a good mixture of old and new and the revamped version of Closer to the heart and Working man was excellent,as long as they can keep playing as well as this I will see them every time, brilliant.

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  30. 30
    David JWBailey

    A game of two halves. First six tracks UTTERLY ruined by a horrible standing wave effect that meant that those in the upper seats (above row T) could hearing nothing but the kick drum. Like being in the boot of a chav’s Corsa with a 1000W subwoofer and nothing else.

    Once we moved seats (and the sound guys lifted the rig and fixed the drum mics), the show was truly superb.

    Yes, Geddy has lost the top 1/3 of his singing range. Yes, they are near 60. Who cares. Neal “who ate all the pies” Peart is a drumming god. Alex has found new life (double meaning intended) and has developed a whole range of new skills. Geddy is in the top three bassists in the world (pacé Claypool, King, et al) and has learned new slap techniques that lift the music.

    And they have one the best album catalogs in history to play from. Wonderful night.

    Sad that the horrible acoustics, lousy catering, dreadful parking (28 minute walk away!!) and dreary atmosphere of the LG Arena let them down so badly.

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    • David JWBailey

      have just had a BRILLIANT response from the LG Arena management team. Summary: sound issues depend on the sound engineer and set up of the gig (and it is clear that they /really/ know their stuff about acoustic engineering!). I’ll pass the science on to the technical team for Rush now.
      I should have said: the Arena ‘floor team’ were brilliant – they moved us with no quibbles and did check we were satisfied. Well done to them.

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  31. 31
    Mark

    Interesting to see others thinking the same as me, because I was unsure about this one.

    Rush themselves could not be faulted, and nor, in my opinion, could the set list.

    The sound where I was sitting was appaling (it does seem to vary a lot depending where you are at the LG), and the audience were like a damp sponge; it’s a rock concert for Pete’s sake, not Nana Mouskouri – stand up!

    But I can see the problem. Given nearly 40 years of material, with progression (AC/DC or Iron Maiden this ain’t), I don’t know how a perfect Rush set list could ever be created. I love every album and every song from Rush through to Roll the bones, then from Snakes and Arrows and the Caravan EP, and while I don’t love Counterparts, Test for Echo or Vapour Trails, I do love some songs from those albums, especially live. So, any set list will do it for me, but I can see that if you’re into one era or another, last night’s set list could disappoint.

    I’ll be at the O2 tomorrow, so lets hope the sound and crowd there keep up with the band themselves, because those were the limiting factors at the LG, not Rush.

    Bottom line; my 17 year old niece was with us for her first Rush concert, and was beside herself with exhilaration at what she saw! How many other bands in their 50′s can achieve that?

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  32. 32
    SAP

    OK so 31 people out of 10,000+ want to come here and have a moan :)

    Was my 12th Rush gig going back to the lean sounding years of 1988. Sounded good down at Row 8 Block A…invest in some ear plugs to cut the high frequency that you get at 80,000 watts :) The NEC sucks, it’s just a rubbish Hall, live with it.

    Lifeson was the best I’ve ever seen, nailed it. Great sounding guitar, fat! The band played as well as I’ve ever seen them. I struggle to understand what more they could do? If you want a 2 hour traditional show just leave after 2 hours? What is the problem?

    Perhaps them coming over every 4 years is too much for some. I’m off to see them at the O2 on Wed and I’ll enjoy myself, I bet the crowd will be far more animated :)

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  33. 33
    Xanadoooo

    Same as The R30, Snakes & Arrows, and Time Machine Tours, Yep!Its official The Brum Crowd Are Shite – Rush Deserved Better.

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  34. 34
    bazaray

    I recall, back in the day when we had hot summer afternoons & I would run home to bang on my favourite Rush album, place my tiny speakers on the window sill and play it so loud that everyone in my street could enjoy the band as much as I did.
    I felt that this band could do no wrong. They were the reason I became a musician. They put me in good stead as I learned every song from each album note for note, phrase by phrase. In the days before MP3`s and only vinyl this was a task in it`s self. Im sure I was not the only teenage bass player learning everything they could from this band in this way.
    Many years on and after seeing Rush on many occasions I have to say what a absolute brilliant night I had at the LG. Sound was superb, lights were outstanding and video footage was a delight showing the bands humour and acting abilities.
    I have to say I was sitting looking right into Geddy`s left ear but I don’t think there was one part of that arena they did not acknowledge in some way shape or form that night.
    Now some have had a moan about set lists. This will always be a problematic for any band and the fans. But consider the band for goodness sake. They have to play it every night for months, they want to enjoy the show as much as possible when they play for us. After so many years they must really want to play other stuff live and not play safe all the time. If you can go to a 3 hour show and complain that they did not play the song you wanted to hear, I think you may need to re evaluate a little. rush…Value for money? Absolutely.
    Now some people have concerns that Geddy was not pitch perfect. I would love to hear other people of his age sing like that play bass, keys and pedals for 3 hours a night and still perform like he does. No auto tune there I would say. If there was would you still complain?
    Why do we go to concerts. To see the band play live. If the band waver or miss a note or heaven forbid slide from a click track slightly. It`s Live!!!! Thats the point. I for one like how Rush have become more relaxed and less machine like, an amount of feel and sole has been injected into the band. Neil’s playing is much more fluid these days if not atomic clock perfect.
    Many people mentioned the ticket price. What people don’t always understand is that it cost a fortune to put a band on the road. With full production you could not comprehend the cost of these undertakings. Believe it or not the band does not get all of you ticket money in their pockets.
    I believe everyone has the right to an opinion and this is just mine.

    Rush played their socks off and I was one air drumming squeaky voiced fan who went away from that show as excited as that teenager in his bedroom playing along to the band thinking one day may be i could do what they do. Fortunately I got my wish.
    What I wish is for everyone to get the chance to buy Rush albums and see Rush live, it`s something special and not many bands these days get it right.

    Ian. What great review and I love the photos. Good to look over and gives me goosbumps to think I was there. Cherish the moments we have with these bands as they will not be around forever.

    Al.

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